(1945) 68 min. b&w
The Woman in Green is the eleventh Sherlock
Holmes film that Basil Rathbone and Nigel Bruce made together (ninth in
the Universal series). Hypnosis and blackmail are involved in
this tale, which opens with Inspector Gregson of the CID narrating.
Four defenseless women have been found murdered, and in each case the
right forefinger has been cleanly severed. Scotland Yard has no clues or
leads, and is under great pressure to solve the case, so Gregson calls on
Sherlock Holmes for help.
Gregson
and Holmes discuss the case over a whiskey and soda at Pembroke House,
where they also observe Sir George Fenwick sitting with an attractive
young woman. The inspector comments, "Is that his daughter with
him?" and Holmes replies, "Don't be so naive, Inspector."
A little while later they observe Sir George and the
young woman leaving together. Holmes comments, "Wonder where she's
taking Sir George Fenwick." To which the inspector replies,
"Don't be so naive, Mr. Holmes."
Holmes and Gregson have a drink at Pembroke House. Sir George and the
Woman in Green sit in the background. |
Holmes observes Sir George and his lady friend. |
The following morning Sir George wakes up in a room
over Edgeware Road, having no memory of how he got there, and we hear a
newspaper boy calling out the news of a horrible murder in Edgeware Road.
As Sir George reaches into his coat pocket, he discovers a severed finger
in it. He returns to the woman's home to try to figure out what happened,
and Moriarty confronts Sir George, claiming to have seen him commit the
murder.
Sir George's daughter comes to Holmes after observing
her father bury the finger in the garden. Holmes, Watson and Gregson
arrive at Sir George's house too late to save him. He's been shot.
After Sir George is murdered Holmes finds enough clues to
figure out that blackmail was the motive for the finger murders, but he
remains baffled as to how the people are convinced they committed a
murder.
The Woman in Green AUDIENCE SLANT: (Family) Mystery fans will be very well satisfied
with Sherlock Holmes' infallibility. An excellent supporting feature.
BOX-OFFICE SLANT: Sherlock Holmes' adventures have a following.
Should do well as a supporting feature or even as the top half of a dual
mystery program.
Plot: Basil Rathbone is called in by baffled Inspector Matthew
Boulton to aid him in solving the series of "finger murders" in which
women have been killed and their index fingers expertly amputated.
Rathbone and Nigel Bruce show their usual infallibility by having Rathbone
pretend to be hypnotized, as he suspects others have been, in order to set
up a blackmail racket in connection with the murders. He and Bruce succeed
in trapping the murderers after a suspenseful moment or two when Holmes is
about to be murdered himself.
Comment: The story has been cleverly contrived and has
plausibility, suspense and a satisfying culmination. It is well produced
and directed, and the actors are most expert in conveying impressions of
Sherlock Holmes, his assistants and his antagonists. Rathbone and Bruce do
very well and Hillary Brooke as a blonde menace is beautiful and
convincing. The picture should do well as a supporting or leading feature
on a dual mystery program.
—Showmen's Trade Review,
June 23, 1945
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Watson is lured away from Baker Street by a
phone call, a fake medical emergency. As soon as he's gone,
Moriarty pays a visit to Holmes. The ensuing dialogue is largely
inspired by Arthur Conan Doyle's "The Final Problem."
"All that I have to say has already crossed
your mind," said he.
"The possibly my answer has crossed yours," I replied.
"You stand fast?"
"Absolutely."
. . .
"Well, well," said he at last. ". . . You hope to
place me in the dock. I tell you that I will never stand in the
dock. You hope to beat me I tell you that you will never beat me.
If you are clever enough to bring destruction upon me, rest
assured that I shall do as much to you."
(from "The Final Problem," The Memoirs of Sherlock
Holmes, by Arthur Conan Doyle.) |
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Compare the above passage with the actual dialogue from the film below:
Moriarty: |
Everything that I have to say to
you has already crossed your mind. |
Holmes: |
And my answer has, no doubt, crossed yours. |
Moriarty: |
And that's final? |
Holmes: |
What do you think? |
. . . |
|
Moriarty: |
We've had many encounters in the past. You hope to place me on the
gallows. I tell you I shall never stand upon the gallows. But, if you are
instrumental in any way in bringing about my destruction, you will not be
alive to enjoy your satisfaction. |
Holmes: |
Then we shall walk together through the gates of Eternity hand in
hand. |
Moriarty: |
What a charming picture that would make. |
Holmes: |
Yes, wouldn't it? I really think it might be worth it. |
Moriarty
claims that his men will kill Dr. Watson if he, Moriarty, fails to return
unharmed. As they talk, Moriarty nudges Holme's chair closer to the
window. After Moriarty leaves, and Watson returns, Holmes notices an open
window in the empty house across the street. He asks Watson to go check it
out. From the house across the street Watson can see the silhouette of
Holmes through the window. He also sees a man with a rifle approach the
window and aim. Before Watson can stop him, the man shoots. Fortunately,
he shoots a bust of Julius Caesar, and Holmes is right behind Watson. They
capture the sniper and discover that he is hypnotized. Suddenly Holmes
realizes the method used in the finger murders: the victims are hypnotized
and therefore easily led to believe they might have committed the murder.
Holmes and Watson pay a visit to the Mesmer Club, the meeting place for
the top hypnotists. Sherlock Holmes' brother Mycroft is a valued member of
the club.
'THE WOMAN IN GREEN' ONE OF BEST IN SHERLOCK HOLMES SERIES The best Sherlock Holmes film adventure in some time, "The Woman in
Green" has suspense, a neatly contrived plot and better-than-usual
characterizations. Even its title, which suggests glamour as well as
mystery, has marquee value far above the routine entry in this long-lived
series. The eleventh film based on the characters created by Sir Arthur
Conan Doyle deals with a blackmailing murder syndicate under the
leadership of that arch-criminal, Professor Moriarty, and his accomplice,
a beautiful blonde hypnotist. Sherlock Holmes, who is again aided by the
loyal, blundering old Dr. Watson and also annoyed by a bluff Scotland Yard
inspector, is called in to solve a series of baffling thumb murders and he
even permits himself to b mesmerized in order to trap the culprit. Under
Roy William Neill's direction, interest is maintained throughout and the
players, especially Basil Rathbone, as Holmes; Nigel Bruce, as Dr. Watson,
and Henry Daniell, who is suavely fiendish as Moriarty, offer their usual
capable portrayals. Although she is not photographed in Technicolor,
Hillary Brooke adds pulchritude and charm as the woman of the title which
Paul Cavanagh and Frederick Worlock also do good work. This is a
first-rate dualler generally.
DENLEY
—Independent Film Bulletin,
July 23, 1945 |
At
the Mesmer Club Holmes spots the "Woman in Green," whom he saw
with Sir George, and learns her name is Lydia. Holmes accompanies Lydia to
Pembroke House, where Holmes confesses that he is losing sleep over the
difficult case of the Finger Murders. Claiming that she can help him with
his insomnia, Lydia coaxes Holmes to her apartment and there hypnotizes
Holmes. Moriarty then enters the room and orders Holmes to write a
suicide note and then walk out onto the ledge of the balcony. Before
Holmes reaches the end of the ledge, Watson arrives with the police, and
they arrest everyone involved with the finger murders. Watson jumps
to the ledge to save Holmes and discovers that he isn't hypnotized at all.
He was just playing along until the police could get there.
Moriarty breaks free from his captors and jumps to the ledge of the
next building. But because he is handcuffed, he is unable to grab hold of
anything and he falls to his death.
Watson and Holmes notice the window across the street. |
Miss Fenwick is worried about her father. |
Getting tobacco from the Persian slipper. |
Watson admits that hypnotism may work on the feeble-minded, but it
certainly won't work on him! |
This film presents two adversaries for Holmes: the
"Napoleon of crime" Moriarty
and a seductive femme fatale. Oddly enough, audiences never questioned how Moriarty could be
alive after apparently being killed in both The Adventures of
Sherlock Holmes and Sherlock Holmes and the Secret
Weapon.
Many fans and critics believe George Zucco's Moriarty (The Adventures of
Sherlock Holmes) was the best, but Rathbone thought Daniell's interpretation
of Moriarty
was "delectably dangerous" and "masterly." Henry
Daniell's performance was indeed superb, and the highlight of the film. The
character of Moriarty didn't appear in any more Holmes films until 1976, in
The Seven Percent Solution.
Hillary Brooke, the seductive femme fatale, appeared in two other
Sherlock Holmes films in the Rathbone/Bruce series. She was the driver, Jill, in
Sherlock Holmes and the Voice of Terror, as well as Sally
Musgrave in Sherlock Holmes Faces Death.
The working title of The Woman in Green was Invitation to Death. This was the last
film of the series to be written by Bertram Millhauser. It
used an idea in "The Adventure of the Empty House" but otherwise
was an original story, not based on a Conan Doyle story. As gruesome as the
murders of young women were, the murders described in the original script
were even more gruesome. They involved the mutilation of young girls, ages
eight or nine. The Production Code Administration (film censors) objected,
and the script was changed to having the murder victims be adult women.
Shooting began on January 12 and ended on February 5, 1945. The film
opened in New York City on June 15, 1945, and the rest of the USA on July
15, 1945.
"Basil was constantly fooling around on the set. We had a scene in the
picture where the two of us were in a cocktail lounge. For some reason,
the sequence was taking a long time to shoot, so, to break the monotony,
we pretended we were getting drunk ... slurring our speech and the like
... with the scene ending by both of us sliding under the table and
passing out." —Hillary Brooke, quoted
in Starring Sherlock Holmes, by David Stuart Davies
Go to Page
Two for more photos and reviews, and Page Three for
pictures of posters, lobby cards, and promo photos for The Woman in Green.
.
Cast |
|
Basil
Rathbone ... |
Sherlock Holmes |
Nigel Bruce ... |
Dr. Watson |
Hillary Brooke ... |
Lydia Marlow |
Henry Daniell ... |
Prof. Moriarty |
Paul Cavanagh ... |
Sir George Fenwick |
Matthew Boulton
... |
Inspector Gregson |
Eve Amber ... |
Maude Fenwick |
Frederic Worlock
... |
Onslow |
Tom Bryson ... |
Williams |
Sally Shepherd
... |
Crandon |
Mary Gordon
... |
Mrs. Hudson |
Percival Vivian
... |
Dr. Simnell |
Olaf Hytten
... |
Norris (Fenwick's butler) |
Harold de Becker ... |
Shoelace Seller |
Tommy Hughes
... |
Newsman |
Alec Harford
... |
Commissioner of the CID |
Colin Hunter... |
Constable |
Ivo Henderson ... |
Constable |
Kay Harding ... |
Fourth victim |
Fred Aldrich
... |
Detective |
Kermit Maynard ... |
Detective |
Boyd Irwin
... |
Officer who closed window |
Violet Seton ... |
Nurse Mowbray (at Mesmer House) |
Arthur Stenning ... |
Mesmer Club Porter |
Tom Ferrandini ... |
Club Patron |
Eric Mayne ... |
Member of Mesmer Club |
Paul Power ... |
Member of Mesmer Club |
Count Stefenelli ... |
Member of Mesmer Club |
John Burton ... |
Waring (Mesmerist) |
Tony Ellis ... |
Carter (hypnotized subject) |
Leslie Denison ... |
Vincent (barman at Pembroke House) |
William H. O'Brien ... |
Pembroke House waiter |
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|
|
|
Credits |
|
Production
Company ... |
Universal |
Executive Producer
... |
Howard Benedict |
Producer ... |
Roy William Neill |
Director ... |
Roy William Neill |
Screenplay ... |
Bertram Milhauser |
Cinematographer ... |
Virgil Miller |
Film Editing ... |
Edward Curtiss |
Music Director ... |
Mark Levant |
Original
Music ... |
Paul Dessau |
Violin player ... |
Louis Kaufman |
Art Directors
... |
John B. Goodman, Martin Obzina |
Set Directors ... |
Russell A. Gausman, Ted Von Hemert |
Costume Design ... |
Vera West |
Production Manager ... |
Charles Stallings |
Asst. Director ... |
Melville Shyer |
Special Photography ... |
John P. Fulton |
Special Effects ... |
Chris Guthrie |
Camera operator ... |
Roswell A. Hoffmann |
Second Camera ... |
Wallace Chewning |
Sound Director ... |
Bernard B. Brown |
Technician ... |
Glenn E. Anderson |
Sound Mixer ... |
Ronald K. Pierce |
Music Mixer ... |
Paul Neal |
Costume jeweller ... |
Eugene Joseff |
Prop Master ... |
William Nunley |
Dialogue Director ... |
Raymond Kessler |
Stand-in for Nigel Bruce ... |
George Hill |
Stand-in for Basil Rathbone ... |
Maurice Marks |
Stand-in for Henry Daniell ... |
Eddie Parker |
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Note: The Woman in Green is one
of the four Sherlock Holmes films that is in the public domain. That means
that anyone can legally produce and sell a DVD of this film. Consequently,
it's easy to find cheap DVDs of The Woman in Green. But these cheap ones
are also cheap quality. The links above are for the digitally remastered,
high-quality DVDs produced by MPI Home Video. Don't waste your money on
anything else!
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